In my artistic approach I have developed two directions, one formal, and the other through meaning.
To construct my objects I use a cubic grammar with its rigidity and rigour.
The shape is analysed and refined by fragmentation –it may become unrecognisable while still preserving its basic geometric elements.
I work with metal and cement because their solidity is in contradiction with the destruction that I impose on the cube. Thanks to their force I can better depict this break down.
These are the urban dwelling construction materials (of my daily environment) in which the body can unfold and be embodied, take shape.
The objects that I construct share the space of the observer; they solicit the body forcing it to move or to use its hands.
In my work I am interested in the existence and mechanisms of contradictions:
in that which evades and the ways of containing it (the container and the content),
in the object and its relation with reality (fullness, emptiness, deficiency)
